Undergrowth

This work is painted from memory- it has the feeling of an enclosed scrub area. I go there to get lost. Once I discovered a snake skin whilst sitting there, another time I came across a wild pig with her babies in the same spot. It doesn’t feel like many people have ever sat here- it’s in a remote area – you can only reach it by foot. For years the creek that runs close to this was dry- it now has running water with small rapids.

I was trying to paint the feeling of looking through scrub and seeing glimpses of the creek through tea tree bush and spikey leaves.

Of course the work has fave influences of Cubism, geometry and Cezanne . It was exhibited in the Drop Shadow show at Flinders Street Gallery, Sydney and framed by Frameart Sydney.

Not available- Sold/ Private collection …. Gouache on art board- 73 x 83 cm framed

2022 – Works on art board- gouache

These works were painted as small studies – actually at the time they were not studies at all – I didn’t paint them to think about making other works from – they are works within themselves. They are reactions to light and space and atmosphere. The works represent impulsive and intuitive inspirations to paint.

Works available. Contact Lornagrear@hotmail.com or Flinders Street Gallery; flinderstgallery@bigpond.com

Texta works

My texta works tell a different story. I had been in the bush for a while by myself and had used up all my resources. I found a packet of textas. I used these to create my first texta work. It was made out of necessity.

The texta work gave me a freedom to look at form and composition. I had to find a way to simplify and enhance. The medium allowed me to delve into my love of pattern and complicated space. Conflicting harmonies even kaleidoscopic structures appeared.

I use landscape as the structure on which to realise my daily perceptions about the world we share.

For all enquiries contact Lorna Grear lornagrear@hotmail.com or Insta lornagrear_studio

Drop Shadow at Flinders St Gallery

OPENS SATURDAY 4 JUNE 2022, 4-6pm

Early bird enquiries contact Jason Martin; flindersstgallery@bigpond.com

I’ll be showing unseen gouaches and paintings.

Sky Above, gouache on art card, 15 x 20cm, 2021, framed

DROP SHADOW

These works play with the many beautiful and varied possibilities within painting and drawing.

In the past I have been a structuralist, a formalist, definately a colourist, and even at dusk – an impressionist painter! I respond to sensations, and forms and energy. This show I’m using landscape as my base – it grounds me.

I see a series of paintings like words in a sentence. Each word has significance yet the sentence provides the context. I sometimes think it would be perfect to keep the whole sentence together. But, then, poets are good at using singular words- to draw attention to moments. Perhaps, then, each of these paintings, are like moments in the specific time period.

At times, I like a crowded space- as though the picture plane is enveloping me like a blanket. Other times I pull it all apart and leave only the essential…

ALL WELCOME for drinks… Saturday 4 JUNE, 4-6pm; Flinders Street Gallery, 61 Flinders Street, Surryhills, NSW, Australia

From Flesh to Thunder – Flinders Street Gallery

23/ Laid Back Lulu                               /gouache on art board   	57x42cm / framed /

FROM FLESH TO THUNDER

Flinders St Gallery, 61 Flinders Street Surry Hills, Wednesday to Saturday 11.00am – 6.00pm

19 September – 3 October 2020

The paintings in this exhibition mark a return to a sort of figuration for me. The landscapes were painted during the haze of the January fires. Smokey light and a pink haze covered Sydney and its surrounds. I was looking for a grounding, a return to something solid after such an unsettling start to the year. Bushfires were blazing uncontrollably. Since then we’ve had floods and now COVID19. The year became reflective for me – it gave me time for solitude, a time to consider.

When I’m in the bush I always turn to the landscape- I can’t help it- I find it a very natural impulse to paint the light and the big vast spaces. This time was also different- I had started to paint a series of Max Beckman copies. At the same time I had started painting in life drawing classes- directly from the model. I knew I needed to return to life painting in order to paint any figure paintings in the future.

The show From Flesh to Thunder is a personal metaphor relating to a return to working from life. All the paintings in this show (apart from 2) have been painted directly from either landscape or the figure. The landscapes, painted plein-air and the life paintings are studies for me to use for larger studio works. They are small and personal however after painting them I realised they could be shown as they are. Some are fast- they are spontaneous and are usually worked with one layer. They are meant to capture the particular moment, the natural phenomena of wind, or fastness or light….. it goes on. I don’t tend to work over them – they exist in the tradition of plein-air painting.

The large plein-air work titled Wild Card was painted in the middle of a large open space in the heat and wind. I had returned from a 3 hour walk from the creek, it was hot and I felt a freedom. This work is an outpouring of looking for something solid within.

One of the only studio works in the exhibition, The Offering is structured with a gestural orange line describing the beautiful yet complicated space of foliage and bush- yet at the same time more than that. It is a mustering of personal energy, a type of renewal of one’s spirituality to offer back. When I paint these the influence of so many artists is revealed. This one makes me think of Kandinsky, Bridget Riley or John Peart – there are so many.

You’ll see the second room filled with life paintings. Renee, Ishita, Lulu, Vanessa and Rosie – some of the regular models at Alpha House. Each model has his/her own quality which in turn demands different responses. The painted sketches are works in their own right, sitting solidly in the realm of life painting. You’ll see the language of creating an image- a line might describe both the edge of a face yet at the same time be a shadow on the wall. You’ll see the core of my visual language – Cubist, Modernist and Expressionism developed to tell future stories.

Lorna Grear

61 Flinders Street, Surry Hills, 2010

Ph. 02 93805663 info@flindersstreetgallery.com

http://www.flindersstreetgallery.com

From Flesh to Thunder

Lorna Grear: Solo exhibition at Flinders St Gallery, 61 Flinders St, Surryhills,

All welcome: Opening Saturday 19 September 11.00 -6.00 pm- select a time here- https://www.eventbrite.com.au/e/afternoon-drinks-celebrating-the-opening-lorna-grears-exhibition-tickets-120938541433

Lorna will be at the gallery Saturday 19 September, 26 September, 3 October

For more info or enquiries about work please email Jason info@flindersstgallery.com

Wild Card, 90 cm x 120 cm, acrylic on board, framed

http://www.flindersstreetgallery.com/album/130a5s