Mosman Art Prize 2022

 2022 Mosman Art Prize, installation view, Mosman Art Gallery. Image courtesy Mosman Art Gallery and © the artists. Photograph: Jacquie Manning.

Painting, titled TwoOpen is a studio painting- I call them secret shed paintings; they’re spontaneous and brave and can be about many things.

Here’s what I wrote; ‘Two Open is a painting which celebrates painting. It is a culmination of looking at landscape over the last few years as an entry into what lays beneath the obvious subject. Other ideas are always at play when painting; light, rhythm, pattern, favourite influences. This painting has a little bit of everything which I love.’

Lorna Grear is represented by Flinders Street Gallery and held her recent solo show in June 2022. Her work has previously been selected for the Portia Geach Memorial Art Prize, The Paddington Art Prize, The Adelaide Drawing Prize, Fishers Ghose Art Award and the Liverpool Art Prize.

Fishers Ghost Art Award

The Fisher’s Ghost Art Award is an annual art prize inviting artists to submit works in a variety of artistic categories and mediums. The Open Award is acquisitive to the Campbelltown City Council collection and in 2022, in celebration of the 60th Anniversary; the award is valued at $60,000. The exhibition will be open to the public from Saturday 29 October until Friday 9 December, 10 am – 4pm

My painting, titled Snakes And Ladders; 150 x 130 cm, acrylic on canvas, is selected as a finalist.

This painting originally took its subject from Bannaby Creek in the Southern Highlands. After a decade of no rain we now have fast, running, wild waters in this creek. It’s beautiful – with its twists and turns, over rocks and river stones. You can hear a cacophony of feral goats whilst being surrounded by a hundred Xanthorrhoea, or Balga Grass Plants. This painting is my tribute to the creek.

For painting enquiries go to Campbelltown Arts Centre or contact Jason Martin info@flindersstreetgallery.com

2022 – Works on art board- gouache

These works were painted as small studies – actually at the time they were not studies at all – I didn’t paint them to think about making other works from – they are works within themselves. They are reactions to light and space and atmosphere. The works represent impulsive and intuitive inspirations to paint.

Works available. Contact Lornagrear@hotmail.com or Flinders Street Gallery; flinderstgallery@bigpond.com

Drop Shadow at Flinders St Gallery

OPENS SATURDAY 4 JUNE 2022, 4-6pm

Early bird enquiries contact Jason Martin; flindersstgallery@bigpond.com

I’ll be showing unseen gouaches and paintings.

Sky Above, gouache on art card, 15 x 20cm, 2021, framed

DROP SHADOW

These works play with the many beautiful and varied possibilities within painting and drawing.

In the past I have been a structuralist, a formalist, definately a colourist, and even at dusk – an impressionist painter! I respond to sensations, and forms and energy. This show I’m using landscape as my base – it grounds me.

I see a series of paintings like words in a sentence. Each word has significance yet the sentence provides the context. I sometimes think it would be perfect to keep the whole sentence together. But, then, poets are good at using singular words- to draw attention to moments. Perhaps, then, each of these paintings, are like moments in the specific time period.

At times, I like a crowded space- as though the picture plane is enveloping me like a blanket. Other times I pull it all apart and leave only the essential…

ALL WELCOME for drinks… Saturday 4 JUNE, 4-6pm; Flinders Street Gallery, 61 Flinders Street, Surryhills, NSW, Australia

The Baker’s Dozen at UTS Gallery

The Baker’s Dozen 6 March – 5 April
Opening Tuesday 6 March 6-8pm

The Baker’s Dozen celebrates new directions in geometric abstraction and spatial relationships by some of Australia‘s most dynamic artists. Through confident and colourful works, considerations of movements such as Neo Geo and Formalism give way to underlying intuitive processes and the pleasure of artmaking.

Drawing on the domestic vernacular for the arrangement of the works, curator Lorna Grear has created an inviting space for exploring the “ideas of social, political and cultural exchange embedded within the works.”

Featuring painting, collage, sculpture and installation by 12 established and emerging artists (with one more thrown in for good measure) The Baker’s Dozen includes work by Vivienne Binns, Bonita Bub, Debra Dawes, Lynne Eastaway, Lesley Giovanelli, Elizabeth Gower, Lorna Grear, Lisa Jones, Elizabeth Pulie, Nike Savvas, Gemma Smith, Kerry Smith and Samantha Whittingham.

http://www.utsgallery.uts.edu.au/gallery/upcoming/thebakersdozen.html