Mosman Art Prize 2022

 2022 Mosman Art Prize, installation view, Mosman Art Gallery. Image courtesy Mosman Art Gallery and © the artists. Photograph: Jacquie Manning.

Painting, titled TwoOpen is a studio painting- I call them secret shed paintings; they’re spontaneous and brave and can be about many things.

Here’s what I wrote; ‘Two Open is a painting which celebrates painting. It is a culmination of looking at landscape over the last few years as an entry into what lays beneath the obvious subject. Other ideas are always at play when painting; light, rhythm, pattern, favourite influences. This painting has a little bit of everything which I love.’

Lorna Grear is represented by Flinders Street Gallery and held her recent solo show in June 2022. Her work has previously been selected for the Portia Geach Memorial Art Prize, The Paddington Art Prize, The Adelaide Drawing Prize, Fishers Ghose Art Award and the Liverpool Art Prize.

Fishers Ghost Art Award

The Fisher’s Ghost Art Award is an annual art prize inviting artists to submit works in a variety of artistic categories and mediums. The Open Award is acquisitive to the Campbelltown City Council collection and in 2022, in celebration of the 60th Anniversary; the award is valued at $60,000. The exhibition will be open to the public from Saturday 29 October until Friday 9 December, 10 am – 4pm

My painting, titled Snakes And Ladders; 150 x 130 cm, acrylic on canvas, is selected as a finalist.

This painting originally took its subject from Bannaby Creek in the Southern Highlands. After a decade of no rain we now have fast, running, wild waters in this creek. It’s beautiful – with its twists and turns, over rocks and river stones. You can hear a cacophony of feral goats whilst being surrounded by a hundred Xanthorrhoea, or Balga Grass Plants. This painting is my tribute to the creek.

For painting enquiries go to Campbelltown Arts Centre or contact Jason Martin info@flindersstreetgallery.com

Greenway Art Prize 2022

My work, titled, Greenway Upclose: 90 x 95 cm, acrylic on board, framed is currently on view at the Greenway Art Prize, Sydney Bus Museum, Leichhardt.

This work was made in the studio after a texta drawing of a secluded area near Marion Street Light Rail station on the Greenway. It’s a place I’ve taken friends – it reminds me of the bush- there are little walking tracks amongst a myriad of textures and colours through the bush. It is also one of the sites of bush regeneration done by volunteers of Greenway Bushcare.

My painting is an explosion of colour- it is a close up view, painted from memory with a feeling of enclosure within a green space.

Tara Morelos Curator GreenWay Art Prize

Framers; Frameart, Parramatta Road, Sydney

EXHIBITION VENUE: Sydney Bus Museum, Leichhardt

Adelaide Perry Prize for Drawing

My drawing practice is paramount to my visual art practice. I make many, many drawings as studies and ideas for other work. Inevitably the texta drawings become works in their own right. They are the final works.

The discovery of texta pens has allowed me to work through structures and colour ideas in a different way to painting. I like drawing for its versatility, and directness- the flow of line and quick resolve. This suite of works rely on my memory of real places and my imagination to allow for ‘digressions’ into surreal and colourful landscapes.

When drawing, I find myself thinking of many past and current influences being reworked into new drawings. In drawing, the realisation is instant.

Drawings for Drawing, texta on art board, 2022

https://www.plc.nsw.edu.au/microsites/adelaide-perry-gallery/adelaide-perry-prize-for-drawing/2022-finalists-announced

Finalist- Portia Geach Memorial Award 2020- 14 August – 20 September

Portia Geach Memorial Award finalists revealed Perpetual announces 2020 shortlist for Australia’s most recognised portrait prize for women A list of 61 works by 59 artists has been announced today for the country’s most distinguished portrait prize for female artists, the Portia Geach Memorial Award. The $30,000 annual prize is administered by the Award Trustee, Perpetual. Established in 1961 by Florence Kate Geach, in memory of her sister, artist Portia Geach, the Portia Geach Memorial Award recognises an Australian female artist for the best portrait painted from life of a man or woman distinguished in art, letters or the sciences. Born in 1873 in Melbourne, Portia Geach studied with John Singer Sargent and Lawrence Alma-Tadema in London and was also a lifelong activist for women’s rights. She established the Housewives Progressive Association of New South Wales, The Housewives Magazine in 1933 and the Progressive Journal two years later to promote issues such as equal pay for women and the right to hold public office. The judging panel for this year’s award comprised Ms Anita Belgiorno-Nettis, Trustee of Art Gallery of New South Wales, Ms Natalie Wilson, Curator of Australian and Pacific Art at The Art Gallery of New South Wales and Ms Jane Watters, Director S.H Ervin Gallery. Some of the well-known sitters for this year’s award include radio presenter Phillip Adams; actor Claudia Karvin; author and playwright Louis Nowra; indigenous dancers Ella Havelka and Tayvonne Cora; TV presenter Richard Morecroft; dancer Anthea Pilko; the late Jack Mundey; businessman Luca Belgiorno-Nettis; Francophile Professor Ross Steele AM and concert pianist Simon Tedeschi.

LORNA GREAR Lockdown in the bath, gouache on art board (self portrait)

Lockdown_in_the_bath

The winner of the 2020 Portia Geach Memorial Award will be revealed on Thursday 13 August with an exhibition of all finalists open for viewing by the public from 14 August – 20 September at the S.H. Ervin Gallery, The Rocks. For more information on the award, visit http://www.shervingallery.com.au Media Enquiries: Jane Watters 02 9258 0133 / 0414 717 044

Fisher’s Ghost Art Award 2018

My work- Pink Forest with Pink Legs, 69 cm x 89 cm, giclee print has been selected as a finalist for the contemporary Section, Fisher’s Ghost Art Award, 2018, Campbelltown Arts Centre. Printed by Dark Star Digital, Sydney.

pink forest with legs

Paddington Art Award 2018

Dusty Pink Tree Limbs, acrylic on canvas, 80 x 95 cm, framed. Selected as a finalist work for the Paddington Art Prize 2018.

Lorna Grear Dusty Pink Tree Limbs

‘Dusty Pink Tree Limbs’ reflects my series of work titled Paralands. Paralands is an imaginary word, stemming from the amalgamation of paradise and landscape. This painting in particular was originally inspired from a secret garden found in a housing estate. My paintings aim to reclaim the hand-­‐made, turning the digital into a personal gesture.